(how to) make friends, make a scene, make things happen, and fall in love with your neighborhood

(how to) make friends, make a scene, make things happen, and fall in love with your neighborhood is based on Meta Local’s ongoing project, Boogie Down Rides. Participants are invited to consider the act of riding a bike as a form of performance and community-engaged action.

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This is part of Meta Local Collaborative’s contribution to Christine Wong Yap’s Make Things Happen Project

 

 

Street CARTographies

[vimeo 29644855]

“Maps are about relationships among which meanings circulate.”

Denis Wood, Rethinking the Power of Maps

More than half of the world’s population are classified as “urban dwellers,” but their experience is hardly unified. For example, drastic socio-economic disparity and unequal access to resources occur in startling proximity in dense urban areas. Further, the city itself is richly woven with public and private spaces constructed through the collective action of individual citizens. Using a street cart as a vehicle for exploration and dialogue, Street CARTographies will travel across a city, exploring the relationships between people from diverse neighborhoods and communities.

This multi-day participatory urban intervention visits plazas and other public gathering places throughout the city. The cart unfolds to serve as a base for a community map and visitors to the plaza are invited to pin locations in a city that are important to them. Participants  are given a balloon corresponding to the color of the pin, printed with the text, “I am on the map” As they move through the plaza with their balloons, participants effectively turn the plaza itself into a map representing all of the places important to its’ inhabitants.

Following the intervention, the maps, accompanying documentation including photographs and videos, and the street cart itself is installed in an exhibition space in order to further the dialogue and include other participants.

Street CARTographies maps the relationships—both visible and invisible—that shape the meanings of the city for its inhabitants. These maps are not only containers for information but rather bridges between people, ideas and places. By visualizing the relationships at work in public spaces, this project articulates the construction of space in both geographical and human terms.

This project is a collaboration between Hatuey Ramos Fermín and Elizabeth Hamby we are artists and educators working together to investigate the dynamics of urban space; exploring the histories of buildings and neighborhoods, and tracing the flows of people, ideas and products. Combining documentary strategies with performance and fine art, their collaborative practice seeks to articulate concepts of origin, public-ness and private-ness, and the sense of place.

Mind the Gap / La Brecha

Mind the Gap/La Brecha is a temporary art and education hub located at the Blue and White Laundromat on 140st Street in the Bronx. From July-October, 2012, Elizabeth Hamby and Hatuey Ramos-Fermín worked with their neighbors to propose new ways of connecting the community to green space along the waterfront within the South Bronx and Randall’s Island. By mapping the relationships–both visible and invisible–that shape the issues affecting our community, Mind the Gap/La Brecha built connections between people and place, bringing new voices to the conversation around the future of our neighborhood–all in the time of a spin cycle.This project was developed in and commissioned by The Laundromat Project’s Create Change Public Artist Residency Program.

 

 

 

For more information visit: here, and  here.

Boogie Down Rides

Boogie Down Rides is a bicycling and art project.

Boogie Down Rides is a celebration of bicycling in the Bronx. It includes educational events, community visioning sessions and group rides.

Boogie Down Rides firmly believes in the power of bicycling as a way to promote active transportation, recreation, and exercise. We support and build bridges of existing efforts to expand safe cycling while connecting communities and people in the process.

This project is organized by meta local collaborative, an initiative by artists Elizabeth Hambyand Hatuey Ramos-Fermín, and includes a broad coalition of individuals and organizations.  Community partners include Bike the BronxBronx River AllianceVelo CityBronx Health REACHNew York City Department of Health and Mental Hygiene,Partnership for Parks,  Transportation Alternatives, and New York City Department of Transportation.

This project started as part of the exhibition This Side of Paradise, presented by No Longer Empty.

Bicycling is art.

Boogie Down Rides on Facebook

 

 

http://www.flickr.com/apps/slideshow/show.swf?v=109615

 

 

 

I.R.T.

For the exhibition, “This Side of Paradise” organized by No Longer Empty at the Andrew Freedman Home, Elizabeth Hamby and Hatuey Ramos-Fermín presented IRT, a multi-model installation and public engagement project exploring transportation issues in the Bronx. The project has a variety of interrelated components including a video installation about livery cabs in the Bronx (Transmit – Transit), maps, interviews, and neighborhood tours.

In collaboration with community-based organizations in the Bronx, the artists presented Boogie Down Rides, a month long cycling celebration and public education project. The project ran throughout the month of May and hosted a series of educational events, community visioning sessions and group rides. Visitors and community member learned about ongoing cycling projects in the Bronx including the development of greenways and bike paths. The project was also a place for community engagement and for members of the public to respond to these initiatives through surveys and participatory workshops. By creating a cycling project, Boogie Down Rides aimed to increase awareness of cycling as a mode of transportation and recreation, promote safe cycling and bridge existing efforts to expand cycling in the Bronx.

Together Work

Collaborating artists Jules Rochielle (text), Elizabeth Hamby (image) Hatuey Ramos Fermín (text treatment). This project was part of Pacific Standard Time Art in L.A. 1945-1980. Pacific Standard Time Performance and Public Art Festival, LA>Tower of Protest (1966). Originally conceived by the Los Angeles Artists’ Protest Committee, and designed by Mark di Suvero, the Artists’ Tower of Protest was erected on a vacant lot at the corner of Sunset Blvd. and La Cienega in 1966 as a symbol of collective dissent against the Vietnam War. Surrounded by hundreds of artist-designed 2′ x 2′ panels, the tower stood firm for a period of three months despite attacks against it, and at times, its organizers. A powerful declaration, the Artists’ Tower of Protest has since become one of the most important landmarks in the history of arts activism. From January 19-29, 2012, the Artists’ Tower of Protest was erected once again on a vacant lot at the corner of Sunset Blvd and Hilldale in West Hollywood, CA. Inviting artists who originally participated in the creation of the tower and others from younger generations, this iteration of the Artists’ Tower of Protest aims to create an opportunity to reflect on the status of arts activism today in light of our social, economic, and political climates. This is one of the panels included in the installation.